Covergirl!

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EEEE!!!!!!! I am so happy right now you guys!! That is my quilt, Whirlpool, on the cover of American Quilter Magazine!! *happy dance*

Okay….breathe in and out….okay…I’m good!

This is one of the big things I have been working on in the last few months. After the book was canceled (see this post to read all about it)I started submitting designs to different magazines. The first place I contacted was American Quilter MAgazine. I have had a subscription to AQS magazine for years. I love every issue, there is always something for me in them. And the subscription comes with membership benefits, like digital content, web bonuses, and access to back issue articles and pattern files.

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My shelf of American Quilter Magazine. 4 years worth plus a random Jan 2007. I am slowly filling in my back issues as I find them!

I was stunned and thrilled at the reaction to my design submissions. Michele, the Editor in Chief, was so supportive and just awesome to work with. We played around with some ideas ( I had a lot!). Then Kim@I Adore Pattern told me she had sent some fabrics to AQS to help promote her line, Tidal Lace. So I decided to mock up another quilt using her fabrics and sent it off to Michele. Everyone loved it, so off to production we went. Whirlpool was a go! Windham was totally awesome and generously provided fabric for the quilt.

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One the top was done, however, I was a little stuck. How to quilt it? My usual long arm quilter was on vacation at the time.  A finished quilt post in one of the modern quilting Facebook groups led me to Mandy Liens of Mandalei Quilts. She is a super talented quilter in NY state, and I loved her work. We got to talking, and she came up with this amazing quilt job for Whirlpool! She took my quilt and brought out the best in it, which is what a good quilter does. She even has some Craftsy classes you can take for quilting (super talented!)

A snowy day

A snowy day at the park

The day of the photo shoot it snowed. Which is very unusual for Vancouver, but it was also the only sunny day that week ( its the rainy season. I have a half dozen things that need photographs. STOP RAINING!) So off we tromped to the park!

I am so happy with how Whirlpool came together.  The entire process was great! the March Issue hit newsstands today, so go out and get yourself a copy! Or better yet, become and AQS member! Because for the rest of the year, I have a web bonus series of patterns coming out with each issue! AND with a membership you can download an EQ7 design file to color your own version of Whirlpool! YES!! As well as get all the awesome content that is members only. You also get the 6 magazines a year. (Disclaimer: AQS did not ask me to promote for them, I just think it is an awesome publication and have subscribed for year and never been disappointed!)

You can order a copy of the magazine here, and if you want to make your own just like mine you can ORDER THE KIT HERE! YAY!!!!!! Thats right AQS loved the pattern and fabric so much that they decided to make it a kit! Kim and I were over the moon when we got the email, and I still cannot believe it!

I hope you all enjoy making Whirlpool as much as I did!!

Happy Stitching!

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The Big Secret

Last year, I wrote a book.

You won’t find it in any quilt shop, or at the bookstore, or online.

Back in October of 2013, I read an amazing blog post about one bloggers experience writing her first book. I had been sketching and playing with ideas for a while, and I was so inspired that I finally wrote up a proposal and submitted it to a publisher. The Aquisitions Editor at the company was wonderful. She was encouraging, friendly, and very helpful. She took my proposal to the submissions team, and came back with some suggestions and changes. More designs, and a change of topic. My first idea, while solid, was too niche. They asked if I could adjust the topic. So I did. After a month of back and forth, I has a contract, a book to write and 15 quilts to make. In  6 months. It was a very short time, given that most books are given 12-18 months for a deadline. But I had lots of support, lots of energy, and agreed.

Fast forward to May 2014. My manuscript was done, the quilts were in the binding stages, and I had planned my trip to bring everything to the publisher and finally meet everyone in person. My deadline had come, and I had met it.

And then I got the phone call.

During the months that I had been busy writing, sewing, writing, and sewing some more, the company had been purchased by a larger book publisher. Which meant changes to the direction of the company, replacement of almost all of the upper management , and a slash to the number titles being produced that year. Unfortunately, my book did not fit with the new image and direction of the company. It was cut from production.

Sitting on the other end of the line, trying to stay positive and keep the frustration, confusion, and sadness out of my voice was one of the most difficult things I have done as a quilter. Fortunately, the call came during one of the rare visits I am able to have with my grandparents. My Grandma, who taught me to quilt and encouraged me to try anything and everything, stood there and held me as I cried.

My son came running over at that moment and gave me a huge hug. And just like that, tears turned to smiles. We started brainstorming about what I was going to do with 15 full sized quilts.

My awesome Grandparents and little H

My awesome Grandparents and little H

 

 

 

 

 

 

 

 

It still took time to regain some of my confidence. Although intellectually I knew it was nothing personal, because we put so much of ourselves into our craft as quilters, it was hard not to sometimes think why wasn’t I good enough. It was when I started actively looking for the silver lining that must be there somewhere that I started to really grow as a quilter and a designer. During my writing period, I was put into contact with several fabric companies. I reached out to them again, this time asking about designing the free projects used to promote new fabric lines. I also started shopping the patterns around individually and basically cold calling other fabric companies about designing for them as well. It was a HUGE learning curve. I suddenly found myself awash in technical writing, trying to produce professional quality illustrations and drawings, and full scale templates from scratch. I purchased the Adobe Creative Suite and learned to use Illustrator and InDesign. Am still learning to use them. And along the way, I found my creative voice.

A huge boost to my personal growth was joining the Quilt Design a Day facebook group, and meeting a wonderful group of creative, talented, like minded individuals. On a bid for advice, I opened a group chat with four other individuals from QDAD. That chat group now has almost 51,000 messages in it between the five of us. Everything from technical support to just shooting the breeze, we have covered almost everything in that chat. We have all gotten to know each other very well, and are looking forward to finally meeting at Quiltcon this year. I have been able to build a good reputation with the fabric companies- you can find many free patterns on the affiliate sites. Just look under the Free Patterns on my menu bar. And I have a few patterns coming out in magazines throughout the year.

I have been able to pull myself back together, but I never did get the chance to properly thank those who were a part of the process when I wrote my book. I want to take the time to do this now.

My wonderful husband for his unwavering support, taking care of the laundry and cooking, and reminding me to eat and sleep on occasion.

My grandmother for teaching me to quilt, and being the first person to tell me there are more ways than the “right” way to sew something.

My parents for being my biggest fans, cheerleaders, babysitters, and personal PR reps. (If a strange lady on the street hits you in the face with a quilting magazine, its probably my mom!)

Christine Osmers of Michael Miller Fabrics, Hayden Lees of Timeless Treasures Fabrics, and the team at Warm Company batting, for their support and for not fainting dead away at my requests.

Holly Broadland, Felicity Ronaghan, Amy Dame, Matt Wheeler, Stacey Murton, and Arita Rai, for making quilts and testing out my patterns and providing some very valuable support and feedback. I never would have made my deadline without all your help!

Joan Nicholson of Maple Leaf Quilters, for taking on the huge amount of quilting in such a short time, being there last minute when I really needed it, and continuing to be there for me.

Finally, my son, who inspires me so much I can’t put it into words.

Thank you all, from the bottom of my heart, for your love and support and inspiration on this journey.

Thank You Heart

I also wanted to pay back the support and sponsorship shown to me by Michael Miller Fabrics, Timeless Treasures, and Warm Company. They provided most of the materials for the book quilts. So I have decided that any quilt made with the sponsored materials will be a FREE PATTERN. I will be releasing them throughout the year. The first will be today.

Linked In- Fabric provided by Michael Miller Fabrics, Batting from the Warm Company

Linked In- Fabric provided by Michael Miller Fabrics, Batting from the Warm Company

Linked In is a beginner friendly quilt that uses rotation in the blocks to create the interlocking squares. I love interlocking blocks and was so happy to be able to come up with my own.

Quilting by Joan Nicholson of Maple Leaf Quilters

Quilting by Joan Nicholson of Maple Leaf Quilters

 

The pattern is available for free in my Craftsy Shop. I am working on a platform for patterns here on the blog, but for now, enjoy! Just CLICK HERE.

 

Thank you to all of you as well, for reading along with me over the years. I look forward to the next few, they are going to be awesome!

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Featured and a Fabric Giveaway!

Windham Fabrics blog is currently having a giveaway with the new Sarah Fielke collection Snippits. I love the Snippits collection, and had the opportunity to design not one, but TWO lovely quilts that are going to be free patterns on the Windham Website.

The first, “A Great Notion” is available soon! I have links to each of my free and off site patterns in the menu bar above under Free Patterns.

Coming Soon!  A Great Notion

Coming Soon!
A Great Notion

 

Pattern Release- Down by the Sea

Thats right!

Down by the Sea is finally ready and available! Just in time too, as Tidal Lace, the collection this quilt features, is shipping to stores now! Kim @ I Adore Pattern did an amazing job with this line, and I absolutely love it.

The pattern includes a size chart for four different sizes from Crib to King, as well as optional yardage cutting for a separate border and background. Down by the Sea is beginner friendly and easy to put together! I also have a free tutorial for using the triangle scraps from the quilt to make some pretty throw pillows! You can also relive the fun of the Tidal Lace blog hop from that link.

Tidal Lace Wheel, borrowed from Kim with permission

Tidal Lace Wheel, borrowed from Kim with permission

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You can follow the link HERE for the pattern, which is available in my Craftsy Shop.

 

This is just the first of many big things to come this year, so be sure to follow along!

Happy Stitching!

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Cirrus Solids BOM Challenge

I am super excited to share with you all my Cirrus Solids Block of the Month Challenge! 

 

Lattice Block

Image Credit: Cloud 9 Fabrics

 

Introducing the Lattice Block!

Back in July, Amy@Badskirt posted in the QDAD Facebook group about the Cirrus Solids BOM Challenge hosted by Cloud 9 Fabrics, to introduce their new line of solid fabrics.  Cirrus solids are a soft, supple and vibrant line of chambray weight cross woven yarn-dyed solids. There are 21 hues in the collection, and hopefully they will be adding more! The fabrics are 100% certified organic and the dyes are low impact, so not only are they gorgeous, they are ecologically responsible. So naturally the more you have the better it is for the environment, right? I am always up for a challenge, so I started playing with color combinations and shapes. Then life happened, and I had to step away for a while.

About a month later I had a brainstorm, and sketched out some block ideas on a sketch pad I keep on my nightstand (you never know when inspiration will hit). I drafted out a few blocks and plugged in some fabrics.

There are so many variations and options with this block. It creates unique shapes when placed on point or horizontally. You can mirror the blocks, play with the color, whatever you want! Super versatile, and you know how I love versatile!

You can download the pattern and instructions HERE on Cloud 9’s blog. The instructions include yardage to make a 16 block quilt. Below are some of the variations I came up with. You will need a few more than 16 block

Shorelines in Horizontal Deep Sea in On Point

I can wait to make something with my bundle of Cirrus Solids! I hope you all take the time to enter the challenge! The entries are rolling, which means your block could be picked any time, you don’t have to enter every month. You can also check out the past challenge winners here and here!

A big thank you to Cloud 9 for making this a great challenge!

 

Happy Stitching!

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Tis the Season

After a long night of sorting, cleaning, and purging, my sewing room is finally where it need to be! Clean, organized, and ready for anything! Last year I purged many fabrics and donated it to a worthy cause, Victoria’s Quilts, and organization that makes quilts for individuals going through cancer treatments. It was an amazing, freeing experience. This past weekend my friend Lyn Marie from Sew Out Of Control came over for a sewing night that turned into a sorting, purging, cleaning spree that finished up what I avoided the last time-patterns. I have oodles and oodles of books, magazines, and patterns all over the place in here. And notions. Oh good gravy the notions were EVERYWHERE!! In short, it was clutter, and my poor bookshelves were so bowed out of shape from the weight that when I flipped them over to try and let them relax back into shape, I couldn’t actually get any books on the shelf, there wasn’t enough height! Yikes!!

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A very scary before…

 

I managed to get the books and magazines under control. I am donating many of the magazines to a thrift shop by Lyn’s place that caters to an older crafty/sewing clientele. She was nice/smart enough to take them from my house that night so they didn’t migrate back into the shelving. A few choice pieces of fabric may have made it into the bags too, but who’s counting. She may also have a super special, out of print fabric in enough yardage to make something amazing waiting for her after the holidays. *wink*  There will also be a smorgasbord of books and magazines and notions at my next guild meeting on the free table for anyone who wants them, and the rest will go back to the same thrift shop. Many of the books have sure, solid techniques and patterns that could just use a little updating to bring them up to date, so I hope they find good homes.

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A very happy after!

 

I also discovered just how many quilts I have. It’s a scary number. Not just UFO’s, which are much more numerous that I would like, but are pretty well all tops in need of quilting with the exception of a single set of blocks for a pattern I am developing. I have a set of quilts that are just in need of binding, probably another dozen UFO’s, 2 of which are actually basted! and in the finished quilt category the pile was probably another dozen high.

Now, I know what you’re thinking- holy cow woman, how-why-how-when-how?!? The quilts span a decade or more of sewing and quilting. I have my very first quilts from back in 2002 when I started to quilt. I have my very first original designs, pattern quilts, challenge quilts and show quilts. It is a biography in fabric. Each quilt tells a story, and holding each one, running my fingers over the seam and stitches, I can remember where I was, what I was doing, how I was feeling with each one. I put a little of myself into each quilt, and that i probably why I still have so many.

Circa 2002 Dragon and Phoenix

Circa 2002 Dragon and Phoenix

When I first started out, I would give away everything I made. I spent a lot of time making the good ‘ol Stack and Whack. I still have the book, (the author bears a remarkable resemblance to an ex boyfriend from around the same time and I think I want to try the technique with a bold modern print, maybe an Amy Butler or Joel Dewberry. Ooh, or Tula! You can never go wrong with Tula!) and as my skills progressed, more and more of my quilts started staying close to home. If I didn’t have anyone in mind for something, it just made its way into my finished pile and there they sit. I finally decided that it is time to give them to new homes.

Circa 2009 Flights of Fancy. The fabric is Tula Pink Nest., and those are 3D flying geese!

Circa 2009 Flights of Fancy. The fabric is Tula Pink Nest., and those are 3D flying geese!

It comes down to the core of why we are quilters and makers: we make to use and love. If no one is using or loving the quilt, why bother making it? (I don’t include show quilts in this, those are works of art in fabric and thread and really should not be balled up on a couch) With the help and support (and a little tough love) from Lyn, I have carefully folded each and every quilt and earmarked them for people. I am going to start handing them out after the holidays. It feels great to finally have homes for some of these quilts. There are a couple that need binding (thus the after the holidays, I may be crazy but I am not completely nuts!) but each one has a name and a new home where it will be used and loved and appreciated. Some I am going to offer as raffle quilts, and a very select few are going to be featured next year in a new blog series I am intending to write. My mom gets to take an armload home with her as well, and she doesn’t have to try and hide them in a suitcase this time! Love you Mom!

The Long Road Home

The Long Road Home

It is an amazing feeling, walking into the room. I know everything is done, there is room again to create, to breathe, to be my best creative self. There are many amazing things happening in the next year, and I feel prepared and ready. This room is a clean slate, and I cannot wait to fill it!

Happy Sewing, and a very Happy Holidays and Merry Christmas! I will see you all next year.

Thank you so much for taking part in my journey!

Stacey

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Letters from Quiltcon

Yesterday emails were sent, read, and either celebrated or commiserated over.

The wait is over, and Quiltcon has its show quilts. Regrettably, none of my quilts will be hanging in Austin this February. Nor am I the only one without an entry, many of my amazing, talented quilting friends did not get in. Instagram has a new hashtag: #quiltconreject

Here is where I have a problem: the word reject.

Reject can be a verb or a noun. As a verb, reject means “dismiss as inadequate, inappropriate, or not to one’s taste” As a noun, reject means “a person or thing dismissed as failing to meet standards or satisfy tastes”. Reject has the undertones of failure, inadequacy, of not being good enough. Its not a very happy word, and using it to describe ourselves and out work is detrimental and frankly insulting.

People, WE ARE NOT REJECTS.

We were not rejected, we were regretfully passed up. Not because our quilts weren’t good enough, but because they just didn’t fit with the vision the curators had for the show.

It is hard to get a letter saying that your work is not chosen. I understand all too well. But that does not mean you aren’t good enough.

Jess over at Quilty Habit spelled it out perfectly in her blog post Positive thoughts on Quiltcon Rejection. She gets to the heart of the matter in a great way. there were over 1300 entries to Quiltcon. The show coordinators have a vision of how they want Modern Quilting to be represented to the public, and the quilts they chose reflect that vision. There are so many interpretations of Modern Quilting, so many aesthetics and techniques and visions, that to narrow it down to one must have been agonizing. But they did, and then they had to flip through the thousand plus entries to find the quilts that reflect the chosen aesthetic. It is the same selection process used in museums and art galleries. You could submit a masterful landscape painting that accurately reflects the people, time, and techniques of the style, but if they want flowers in vases, the landscape isn’t going to make it, no matter how talented and perfect the landscape is.

From what I have seen from the quilts that did get in, this year Modern Quilting will be represented by bright, bold colors, simple quilting, color blocking, and graphic designs.

So lets change the hashtag. Lets rejoice in our shared love of quilting! Lets cheer for our friends in the show! Lets ooh and aah over the quilts that will be displayed, and see the show for what it is : a curated selection of quilts, selected from a pool of the best modern quilts in the world-our quilts!

#notaquiltconreject

*UPDATE* Latifah Saafir at The Quilt Engineer has an amazing, insightful post about the jury process. Go check it out, it helps to put things in perspective!

Happy Goes Mini

Happy Goes Mini

Pantone Color of the Year 2015 is….Marsala?

Yup. Marsala.

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For a couple weeks now we have been anxiously awaiting the announcement of the Pantone Color of the Year for 2015. Pantone is the leading authority and biggest influence on color in the garment, textile, and design industry. If you want an accurate color, you quote Pantone swatches. Every year Pantone introduces its color of the year, and this year they chose Marsala. MARSALA.

Obviously I have mixed emotions about this color.

My initial reaction was not complimentary. Nor were the words I used to describe it. I won’t repeat it here. 

If I were a garment or interior designer, I would be very happy. There are a lot of possibilities with Marsala in interior design and the fashion world. My wallet, as it turnes out, is Marsala. A crocodile skin print in Marsala, with gold acents and a nice shine. its very nice. I can see a lot of riding boots, belts, purses, wallets, coats, accents on sweaters and home decor such as lamps, rugs, and trim. Even as an accent wall in the home, there are possibilites. The romatic little blurb about the color makes you want to like it and use it, and as makeup, oh goodness, my favorite eyeshadow just happens to be Marsala with a shimmer.

As a quilter and quilt designer however…..it is going to be a challenge to embrace this color.

 

A Paper Piecing Tutorial

Lately I have been so (sew!) busy, that I haven’t had time to write as much as I would like. I have a bunch of ideas strewn about my sewing room on scrap pieces of paper, of ideas for blog posts and tutorials, as well as some free pattern shares for you all. As I find them I will start working my way through them. Well, those still legible despite cat teeth marks and copious amounts of peanut butter fingerprints (those only happen ONCE, and he knows it!)

Today it’s all about paper piecing, which is perfect because I have a couple of patterns coming out very soon that use paper piecing!

Cartwheel Mini-Addapted from Cartwheel COnstellation published in AQS magazine January 2010

Cartwheel Mini-Adapted from Cartwheel COnstellation published in AQS magazine January 2010

Paper piecing, also known as foundation piecing, is a method of sewing your fabric to the wrong side of a piece of paper, stitching down the printed lines on the right side of the paper. It makes piecing irregular angles and tiny shapes a breeze, and you don’t have to worry about your straight and bias grain as much as if you were piecing normally. You can also paper piece blocks made from templates or blocks you could piece normally, it makes for very accurate points and corners.

Supernova

Supernova

My favourite method for paper piecing is a combination of a couple different techniques I have learned over the years. The tutorial works for all manner of foundation patterns, simple, complex, pictorial…

Rainbow Star

Rainbow Star

When I paper peice ( I am sure you noticed that I interchange the terminology) I like to pre cut my fabrics. This is how I know that a) my pieces will be large enough to cover the entire area of the foundation section, and b) that I actually have enough fabric to make all the pieces. There is nothing worse than cutting a piece too small or not having enough fabric to make all the pieces!

When foundation piecing it is important to pay careful attention to the sewing order of the peices. The sewing order is laid out so that the next seam sewn always covers the first.

To determine the size of strips to use:

Lay the foundation printed side up on your work area. Find the sewing line between the first and second section of the foundation pattern. This line will be the first line you stitch down, so you use this line to find the length of the fabric strips.

*NOTE* If the first section is a triangle shape, or has a long edge that is also the seam allowance, like the triangle of a flying geese block, then you want to use that edge as the length of your first piece plus seam allowance, and then determine the width. I cut Half Square Triangles for triangle shapes, that way there is less waste fabric.

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Take a large clear acrylic grid ruler and place it over the template, with the 1/4″ line on the stitching line and the bulk of the ruler covering the first section. Adjust the ruler so that it starts at least a 1/4″ past the end of the stitching line. Find the end of the stitching line, and the measurement on the ruler that corresponds with it. Add 1/4″ to that number. This is the length of your piece with seam allowances included.

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Now without moving your ruler, find the outer edge of the first section and the measurement that corresponds with it. Add 1/4″ to that number. This gives you the width of the piece with seam allowances included. Write down the two measurements inside the foundation section, this helps avoid a million measurements on a single piece and avoids confusion.  As a general rule, I will add an extra 1/4″ to each measurement as a safety net-sometimes fabric shifts as you are sewing.

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Now move your ruler so that the bulk is covering the second section of the foundation pattern, again with the 1/4″ line of the ruler on the same stitching line. Using the same method as above, find the length and width of the piece. Continue across the foundation, from section to section in the order they are sewn, until you have mapped out the measurements of each section.

To determine the amount of fabric you need:

I use this calculation to determine how much fabric I need:

42″ (the average usable Width of Fabric) divided by the length of the piece = the number of pieces per strip (always round this number DOWN to the nearest whole number)

I then divide the number of pieces needed by the number of pieces per strip, and round the answer UP.

Finally, take the number of strips needed and multiply it by the width of the pieces, then divide by 36 ( the number of inches in a yard). The final sum is the required yardage.

So for example:

I need 16 white rectangles 2 1/2″x 7 1/2″

42/7.5= 5.6, rounded down to 5

16 pieces/ 5 pieces per strip =3.2, rounded up to 4 strips

4 strips x 2.5 wide=10″

10/36= 0.2777777 , rounded up to the nearest whole cut of fabric, which is 0.3333333, or 1/3 yard. 

Here is a handy chart for you to reference!

0.125 = 1/8 yard

0.250 = 1/4 yard

0.333 = 1/3 yard

0.375 = 3/8 yard

0.5 = 1/2 yard

0.625 = 5/8 yard

0.666 = 2/3 yard

0.75 = 3/4 yard

0.875 = 7/8 yard

1 = 1 yard

I like to label my fabrics in the order they are pieced, that way I don’t confuse myself if there are lots of little pieces.

Now that we have our fabric pieces cut we can start piecing the foundations.

1. Lay the first fabric strip right side up on the wrong side of the paper over the first section of the pattern. Hold the fabric to the paper and look through the printed side of the pattern, holding it up to a light in, to make sure the fabric is covering the entire section and there is approx 1/4″ extending into the second section for seam allowance. Pin in place.

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2.Place the fabric labelled #2 right sides together on top of the first, matching the raw edges in the seam allowance. Secure the second piece of fabric, turn the foundation over and stitch down the line between the first and second sections of the pattern, extending your stitching through the printed seam allowance.

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*Note* Sometimes it’s easy to misjudge the placement of your fabrics when foundation piecing. When this happens you will have to remove the stitches. The cleanest way to do this is with a sharp seam ripper. Place the seam ripper between the paper and the base layer of the fabric and ripe the stitches. The thread on the paper side will remain intact, all you have to do is pull it off and it will take all the extra thread bits out as well.

3. Press open with a hot, dry iron. Fold the paper back along the second stitching line, where piece 2 and three meet, and trim the seam allowance to 1/4”. I use a piece of template plastic and an Add-A-Quarter Ruler to make this quick and easy.

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4. Place the third fabric RST with the second, matching the raw edges to the seam allowance and stitch as before, making sure to stitch at least 1/4″ past the next line or through the outside seam allowance, depending on where the piece is on your template. Continue stitching, pressing, and trimming until all the pieces are sewn.

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5. Trim around the pieces, leaving a 1/4” seam allowance. Often the seam allowance is marked as an outline around your shapes.

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Some people swear by leaving the paper in when sewing. With simple shapes-squares and rectangles- I will remove the paper before sewing the shapes together. This gives a tighter, stronger stitch, I can easily match seams, and the fabric feeds evenly through the machine. For complex shapes, such as wedges and triangles, I will first pin the pieces with the foundations intact to make sure my seam allowances line up, and then remove the paper from the bottom piece, the one that is going to be at the feed dogs. That way I have a line to follow, and I know my pieces will line up. I find that when I leave both layers of paper I get slippage and the fabrics shift inside the paper.

Poppin' Pillow

Poppin’ Pillow

I use this same technique for pretty well all of my paper piecing. You can make so many awesome blocks with it, I really hope you find it helpful!

Happy Stitching!

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Officially a Craftsy Designer!

Woo hoo!!

A couple months ago I submitted a design for the Red, White, and Free collection by Sandy Gervais for Moda. To my surprise and delight, it was accepted and I was able to turn it into a pattern. The nice people over at Craftsy liked it and turned it into a quilt kit! WOW!!

Presenting Celebrate Old Glory!

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Celebrate Old Glory

I love how it turned out! All those stars and squares swirling around! The fabric was a lot of fun to work with too! Vibrant colors, and fun prints that didn’t overwhelm each other. I really like the flag print on the back, don’t you?

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I quilted it using an all over meandering swirl. I chose a taupe thread, which blended nicely with the fabrics and let them take center stage. The binding is actually a panel that I cut on the diagonal. It made for an interesting binding that didn’t overwhelm the quilt.

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I am really over the moon about this quilt! You can get your kit here. It is an intermediate quilt, but if you are a confident beginner and take your time, I think you will be just fine! Be sure to tag me on Instagram @staceyinstitches and upload a picture of your finished quilt to my Flickr group, Stacey Day Quilts!

Thank you!

Thank you!

Happy Stitching!

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