A Paper Piecing Tutorial

Lately I have been so (sew!) busy, that I haven’t had time to write as much as I would like. I have a bunch of ideas strewn about my sewing room on scrap pieces of paper, of ideas for blog posts and tutorials, as well as some free pattern shares for you all. As I find them I will start working my way through them. Well, those still legible despite cat teeth marks and copious amounts of peanut butter fingerprints (those only happen ONCE, and he knows it!)

Today it’s all about paper piecing, which is perfect because I have a couple of patterns coming out very soon that use paper piecing!

Cartwheel Mini-Addapted from Cartwheel COnstellation published in AQS magazine January 2010

Cartwheel Mini-Adapted from Cartwheel COnstellation published in AQS magazine January 2010

Paper piecing, also known as foundation piecing, is a method of sewing your fabric to the wrong side of a piece of paper, stitching down the printed lines on the right side of the paper. It makes piecing irregular angles and tiny shapes a breeze, and you don’t have to worry about your straight and bias grain as much as if you were piecing normally. You can also paper piece blocks made from templates or blocks you could piece normally, it makes for very accurate points and corners.

Supernova

Supernova

My favourite method for paper piecing is a combination of a couple different techniques I have learned over the years. The tutorial works for all manner of foundation patterns, simple, complex, pictorial…

Rainbow Star

Rainbow Star

When I paper peice ( I am sure you noticed that I interchange the terminology) I like to pre cut my fabrics. This is how I know that a) my pieces will be large enough to cover the entire area of the foundation section, and b) that I actually have enough fabric to make all the pieces. There is nothing worse than cutting a piece too small or not having enough fabric to make all the pieces!

When foundation piecing it is important to pay careful attention to the sewing order of the peices. The sewing order is laid out so that the next seam sewn always covers the first.

To determine the size of strips to use:

Lay the foundation printed side up on your work area. Find the sewing line between the first and second section of the foundation pattern. This line will be the first line you stitch down, so you use this line to find the length of the fabric strips.

*NOTE* If the first section is a triangle shape, or has a long edge that is also the seam allowance, like the triangle of a flying geese block, then you want to use that edge as the length of your first piece plus seam allowance, and then determine the width. I cut Half Square Triangles for triangle shapes, that way there is less waste fabric.

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Take a large clear acrylic grid ruler and place it over the template, with the 1/4″ line on the stitching line and the bulk of the ruler covering the first section. Adjust the ruler so that it starts at least a 1/4″ past the end of the stitching line. Find the end of the stitching line, and the measurement on the ruler that corresponds with it. Add 1/4″ to that number. This is the length of your piece with seam allowances included.

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Now without moving your ruler, find the outer edge of the first section and the measurement that corresponds with it. Add 1/4″ to that number. This gives you the width of the piece with seam allowances included. Write down the two measurements inside the foundation section, this helps avoid a million measurements on a single piece and avoids confusion.  As a general rule, I will add an extra 1/4″ to each measurement as a safety net-sometimes fabric shifts as you are sewing.

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Now move your ruler so that the bulk is covering the second section of the foundation pattern, again with the 1/4″ line of the ruler on the same stitching line. Using the same method as above, find the length and width of the piece. Continue across the foundation, from section to section in the order they are sewn, until you have mapped out the measurements of each section.

To determine the amount of fabric you need:

I use this calculation to determine how much fabric I need:

42″ (the average usable Width of Fabric) divided by the length of the piece = the number of pieces per strip (always round this number DOWN to the nearest whole number)

I then divide the number of pieces needed by the number of pieces per strip, and round the answer UP.

Finally, take the number of strips needed and multiply it by the width of the pieces, then divide by 36 ( the number of inches in a yard). The final sum is the required yardage.

So for example:

I need 16 white rectangles 2 1/2″x 7 1/2″

42/7.5= 5.6, rounded down to 5

16 pieces/ 5 pieces per strip =3.2, rounded up to 4 strips

4 strips x 2.5 wide=10″

10/36= 0.2777777 , rounded up to the nearest whole cut of fabric, which is 0.3333333, or 1/3 yard. 

Here is a handy chart for you to reference!

0.125 = 1/8 yard

0.250 = 1/4 yard

0.333 = 1/3 yard

0.375 = 3/8 yard

0.5 = 1/2 yard

0.625 = 5/8 yard

0.666 = 2/3 yard

0.75 = 3/4 yard

0.875 = 7/8 yard

1 = 1 yard

I like to label my fabrics in the order they are pieced, that way I don’t confuse myself if there are lots of little pieces.

Now that we have our fabric pieces cut we can start piecing the foundations.

1. Lay the first fabric strip right side up on the wrong side of the paper over the first section of the pattern. Hold the fabric to the paper and look through the printed side of the pattern, holding it up to a light in, to make sure the fabric is covering the entire section and there is approx 1/4″ extending into the second section for seam allowance. Pin in place.

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2.Place the fabric labelled #2 right sides together on top of the first, matching the raw edges in the seam allowance. Secure the second piece of fabric, turn the foundation over and stitch down the line between the first and second sections of the pattern, extending your stitching through the printed seam allowance.

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*Note* Sometimes it’s easy to misjudge the placement of your fabrics when foundation piecing. When this happens you will have to remove the stitches. The cleanest way to do this is with a sharp seam ripper. Place the seam ripper between the paper and the base layer of the fabric and ripe the stitches. The thread on the paper side will remain intact, all you have to do is pull it off and it will take all the extra thread bits out as well.

3. Press open with a hot, dry iron. Fold the paper back along the second stitching line, where piece 2 and three meet, and trim the seam allowance to 1/4”. I use a piece of template plastic and an Add-A-Quarter Ruler to make this quick and easy.

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4. Place the third fabric RST with the second, matching the raw edges to the seam allowance and stitch as before, making sure to stitch at least 1/4″ past the next line or through the outside seam allowance, depending on where the piece is on your template. Continue stitching, pressing, and trimming until all the pieces are sewn.

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5. Trim around the pieces, leaving a 1/4” seam allowance. Often the seam allowance is marked as an outline around your shapes.

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Some people swear by leaving the paper in when sewing. With simple shapes-squares and rectangles- I will remove the paper before sewing the shapes together. This gives a tighter, stronger stitch, I can easily match seams, and the fabric feeds evenly through the machine. For complex shapes, such as wedges and triangles, I will first pin the pieces with the foundations intact to make sure my seam allowances line up, and then remove the paper from the bottom piece, the one that is going to be at the feed dogs. That way I have a line to follow, and I know my pieces will line up. I find that when I leave both layers of paper I get slippage and the fabrics shift inside the paper.

Poppin' Pillow

Poppin’ Pillow

I use this same technique for pretty well all of my paper piecing. You can make so many awesome blocks with it, I really hope you find it helpful!

Happy Stitching!

StaceyDay_Logo

Introducing Bumblecomb!

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Bumblecomb Baby Quilt-Photo Courtesy of Freespirit Fabrics

A few months ago I had the opportunity to design a project using Tula Pink’s new line of baby prints, Bumble. Bumble is a dreamy, sweet collection featuring bumble bees, pollen, birchwood forests and a dreamy cloudy skyland, all in the classic  Tula style. What makes the collection unique is the fabric itself- a super soft, high thread count peached poplin with a gentle texture that makes it perfect for everything from quilts to clothing. It was a dream to sew with, and pictures can’t quite capture the depth of the color-subtle and vibrant at the same time.

Free motion clouds

Free motion clouds

I decided to go with a baby quilt-super easy, appliqued hexagons (because, you know, bees!) and a two tone background. The hexagons are big enough to allow fussy cutting of the feature fabrics, and the edges are left raw, because babies love texture.

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The pattern is available as a free download from from the Freespirit website, as are a number of other great projects.

I love how the project turned out, and I hope you do too. I would love to see your finished version of Bumblecomb! Tag me on instagram @staceyinstitches, or add it to the Stacey Day Quilts Flickr Group.

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Happy Stitching!

StaceyDay_Logo

Quilt Design a Day and a Giveaway*winner chosen*

Welcome to another QDAD day here at Stacey in Stitches!

If you are here visiting from the Sew Mama Sew interview, welcome! I have a lot of fun making a Quilt Design a Day. Today marks day 140 of designing for me. I am happy to say I haven’t missed a day. QDAD is one of my favorite exercises, and the group is so happy and friendly and a whole lot of fun! We’ve had an influx of new members, many of whom are participating. It’s great to see everyone’s interpretation of the inspiration photo. I hope everyone gets a change to try it at least twice. The first time for practice, the second time to get hooked!

I use EQ7 for my designs, though I did download a new program to try. I am playing with Corel Draw, and I want to try Adobe Illustrator. Sometimes there are things in my head that need a drawing board rather than a grid to work on. I have discovered many new features in EQ7 in the meantime, and I am having a blast playing with different layouts and blocks.

July 2 Tap

July 2-Faucet

This design reminded me of a video game, so I called it The Dark Castle. The inspiration photo had an outdoor faucet topped with a fanciful castle. Soe days a literal interpretation is in order, and I love how it came out!

July 6-Buttons

July 6-Buttons

This particular inspiration was a bowl full of buttons. It evoked so many different memories in people, for me it was the button jars at my grandma’s house when they lived down the road from us. We used to play with those hundreds of buttons, and I’m sure many of them saw the inside of a vacuum when we went home. Not on purpose either.

July 4 Ice Cream

July 4 Ice Cream

July 4th marked our 200th member, and the 200 member challenge. l chose the color rich ice cream inspiration photo for my 200 quilt. I haven’t counted them, but I am pretty sure there is enough ice cream in this photo for all our members, including the new ones! I love the navy as a background, I think its my new favorite! I recently bought a whole lot of navy solids, so I am going to have to make something with it soon.

Anne’s 200 member quilt  ended in hilarity and this picture as a result.

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STACEY THE BOLD WELCOMES ALL NEW QDADERS!

You know how hard it is to take a selfie wearing a tinfoil helmet and holding a rotary cutter?? Its not easy…..and that tinfoil is HOT!

July 12 Antiquity

July 12 Antiquity

The photo for this one was of an antique door knob and keyhole. I was planning to make something around the shape of the keyhole, but then I noticed the scuffed and faded pattern carved into teh doorframebehind it. It was a little nine patch interspersed with lines and diamonds. I did my best to recreate it and ended up in a Gatsby-era art deco world. I added the tiny coral diamonds and it really added dimension to the design. I am very happy with it and may work it into a pattern.

Run, Zombi Run!

Run, Zombi Run!

This design started out happy and fun, but there is a running joke about the zombie apocalypse in QDAD, sparked by a series of abandoned looking building with random diamond shapes in them, and chihuahuas. Someone mentioned this looked like people running from something, probably zombies. So I turned some of my happy little petal pluses into zombies. Minus the whole Z.A theme, I like the grayscale graduating into color. It definitely sparked a conversation or two!

July 13 Raspberry

July 13- Raspberry

This inspirtion was a bowl of raspberry swirl frozen yogurt. It looked so yummy! I decided to do a cross section of the swirl, which has sparked a series of cross sectional designs. Mostly fruits and veggies, and every so often ice cream. I am going to do a couple up as patterns so I will save them for a surprise!

May 24 feathers

I did do up a foundation pattern for my feather blocks, you can download it here for free! If you make one ( or a dozen) send me a picture, I would love to see it!

Feather Block Feather String

I hope you enjoyed your visit today! Make sure to visit Amy Gunson at Badskirt, and Anne Sullivan at Play-Crafts, both have QDAD giveaways running!

Now for my Giveaway! The giveaway is now closed! You can see the winner in my next post!

The giveaway is open to anyone, including international visitors! Simply leave a comment. That’s all! Tell me your favorite color, your favorite quilt design, what you’re going to make with the feather block or the bundle, what the weather is like at your house today, tell me a joke ( the punnier the better!) ANYTHING!

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I am giving away a Fat quarter bundle of 5 cool colors of my new Colorworks Premium Solids by Northcott. I picked these up on vacation, and I got a ton of yardage, so I thought I would share with everyone. The colors are deep and rich, more so than in the photo. The colors are perfect for making a QDAD of your own! The Giveaway will be open until Wednesday at 8pm PST, and I will pick the winner using Random.org

Happy Stitching!!

StaceyDay_Logo

Quilt Design A Day- Day 90 and a Free Pattern!!

Today is the day I achieved the 90 day chip in #QDAD. It is definitely an achievement for me. I can hardly believe I have been able to pull 180 designs out of my head. They aren’t all winners, that for sure, but I do have some that I absolutely love.

Being part of the QDAD group sure has opened up a new world of creative possibilities for me. I am always seeing new and exciting things from the other group members, and we all give each other feedback and advice, or stutter around trying not to say “I love it” a million times even though that’s all you really can say sometimes! I have learned a lot about minimalist designs and using negative space effectively. I am happy to report that none of the floral inspired images from last month looked too Yoni. (Look it up, its hilarious)

Here are a selection of some of my favorites from last month.

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May 11 Feathers

 

May 2 Inverted

May 2-Palm Tree

 

May 5 Windows

May 5-Windows

 

May 7 stars and knots

May 7- Seascape

 

May 27 Succulent Garden

May 27- Succulent Garden

 

May 20 storm at sea

May 20- Storm at Sea

May 24 feathers

May 24 feathers

This last one is one of my personal favorites. The last week in May and the start of June seemed filled with feathers. We were turning into birds! This particular design was fairly literal, but it looked fantastic. It wsa a group favorite, so I decided to make the feather block a free pattern. The block had to be modified for easier piecing, but here it its! There is a string block included, but it might be fun to do some pearle cotton stitches instead, don’t you think?

Feather Block

Feather String

 

I Hope you enjoy the pattern, and of course if you have any question feel free to contact me. I would love to see your finished blocks!

 

Happy Stitching!

 

Stacey

New Beginnings

It all started innocently enough. A random compliment of a friends closet. How tidy and organized it was.

“You should come over and do my closet” I (half) jokingly stated.

” Sure, I love to organize things!” She replied

We continued with our play-date.

Fast forward to Monday. She was going to be free, did I want to do something? “We could go to a movie, or organize your closet. Or whatever”

I chose whatever.

” Alright, I will be there at 8!”

*knock knock*

” So where is this closet?”

*Gulp*

I didn’t take a before picture. I don’t think it would have come close to conveying just how much was stuffed into those little square shelves. While I went to grabs us a couple of drinks (no, not those kind, though by the end of the night I could have used…. like…eight) she started pulling fabric. And pulling. And PULLING. I really did not know how much I had in there! And dangnabbit woman, you were fast! There was no time to turn back. in 5 minutes a lifetime of collection was out and in my face.

I

Have

A

PROBLEM

A big, scary problem. One we probably all have, but don’t realize it until it’s staring us in the face from every flat surface in the room.

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That picture marks the halfway point of the night. HALFWAY!!!!

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It was an intervention. A cleansing of the soul. It broke my heart to see some of the beautiful pieces hidden that could have been used. Forgotten, forlorn fabrics that were never going to see the light of day because I had grown out of them. Sentimental pieces, one never even cut into, from my very quilt shop excursion with my grandmother. All stuffed into a closet and largely ignored.

This was the hardest thing I ever had to do. That includes childbirth. We sat on the floor, and she kept me focused. We talked about the fabrics, and the reasons why it needed to be done, why some never were used, and how it got to this point. For the most part, it was such a huge job that I never got around to sorting it, and it piled and accumulated until it was a scary closet monster.  I also think I did not want to face the reality of how much fabric I have actually purchased over the years.

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Here is the walk of shame. All the pretty, beautiful fabrics that I realistically would never use in a project. As a quilter, my tastes and vision have morphed and changed so much that many things I thought were perfect for such and such a quilt, are no longer appealing. I vividly remember the feeling of discovery, how it was a gorgeous piece with so much potential. I can still appreciate the fabrics, their potential and beauty, but the ugly truth is I can no longer see myself using some of them in a quilt.  Some people might think “gee, whats the big deal?” But I think most of you will understand. That is why I chose to share with you.

I owe a debt of gratitude to my friend. She kept me on track and strong. Hard realities with compassion and understanding. Tonight we are going through and sorting the bags further. Some of the fabric will end up in my etsy shop. The majority will be given away to a worthy organization called Victoria’s Quilts Canada. Victoria’s Quilts is a non-profit group of volunteers that take donations of fabric and quilt making supplies and turns it into quilts for people who have been diagnosed with cancer. So far this year they have given away 2223 quilts. This year. Since its inception in 1999 they have freely given almost 34,000 quilts to cancer patients.  There is Victoria’s Quilts in the States as well, which was founded in 1998.

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Here is the after picture. Organized, and a lot less full. I still need some storage solutions for my heirloom quilts as you can see across the top. UFO’s are in clear bins and clearly marked with the project name. There are still many to go through, and decisions to be made about unquilted tops, and the finished quilts languishing in the closet. Some have already found forever homes. That makes me happy, because our quilts are made to be enjoyed.

Stacey

Blogathon Canada Day!

Welcome Everyone from the Blogathon Canada Blog Hop!!
SewSistersQuiltShop

My name is Stacey, and I live in Beautiful British Columbia, Canada. I have been blogging here for just over a year now. I love to quilt, and Paper piecing stars and compasses are my favorite. I am a founding member of the Vancouver Modern Quilt Guild, and I love it! I am a self-described Hybrid Quilter, not fully traditional, not fully modern, but fully a quilter! I love to write patterns, and I work as an X-Ray Technologist to support my quilting addiction.

I hope you enjoy your visit.

I am so excited to share my newest quilt with everyone- Sherbert At The Beach!

Sherbert at the Beach

Sherbert at the Beach

Sherbert at the Beach is my Michael Miller Cotton Couture Challenge quilt. I gets its name from a memory of the summer, when I took my little guy to the beach on a hot day. We had ice cream and it dripped all over the sand, too fast for us to catch it. It was a great day that I will always remember. When the challenge was announced at the August guild meeting the bright, citrus palette immediately brought the idea of bright fruity sherbert to mind and the memory of that day. Having only worked with Kona solids at that point, the Michael Miller Cotton Couture was a pleasant change for me. I like the texture and the weight of the fabric. It is almost a voile weight. Very light, easy to sew.  I chose a  Free Spirit Designer Solid in Sandstone as by background color to keep the colors popping without looking like a neon sign. I also used it for the backing and binding, and threw my extra blocks onto the back. WHAT?! A Pieced back you say! That’s right, I finally did it!

The quilt consists of 16 Disappearing Nine Patch blocks. Those were a lot of fun to make once I got over the fact that I was technically making each block twice. I chose random color placements and some I even cut off-center for some variety. Overall it worked out great and this quilt is probably the most truly modern thing I have ever made.

Quitling Detail

Quilting Detail

I chose an overall meandering square design for the quilting. I saw the design used by Melissa Corry of Happy Quilting some weeks ago, and I immediately thought if it when I was preparing to quilt.  I free motion quilted mine however, and getting those points perfect takes some practice! Not all the lines are perfectly straight, which I think gives it a great organic feel. I used a YLI Coated Cotton Quilting thread in Rose  for the top and Mettler Metrosene for the bobbin. The balance between the two threads was amazing and you cannot see the colored thread on the back.

YLI Rose

YLI Coated Cotton Thread in Rose

I was very impressed with the thread. I was afraid that the weight combined with the coating would not go over well, but it is specially made for machine quilting, which definitely shows when you are quilting. I highly recommend trying some out!

Quilting Detail

Quilting Detail

Thank you everyone for for coming over for a visit! There will be lots of exciting things happening here at Stacey in Stitches over the next few months, so feel free to follow along!

As promised, here is the free pattern I promised you all! Some of you may recall the Quilted Clock I made for my FLiRTS swap partner. There was enough interest to turn that clock into a pattern. Enjoy!

Quilted CLock Pattern

Quilt CLock Templates

Happy Stitching,

Stacey

Sewing With Sew Sisters-A New Tutorial!

Today is the Day!!

I was asked by Sew Sisters to come up with a tutorial for their Kona Club Challenge. Sew Sisters is an Online/Brick and Mortar Quilt Shop located in Toronto, Canada. They have an amazing selection of quilting cottons, solids, notions and patterns, and the shipping is some of the most reasonable around, especially if you live here in the Great White North.

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The Kona Club is one of the best monthly clubs online too! They send you 4 different Kona Colors in Fat Quarters or Half Yards every month. Each month they post a different inspiration photo and use it to choose the colors.  It is a fabulous way to build your solids stash and see colors you may not normally use in a coordinated bundle. I am a member of the Kona Club, and my solids stash is getting pretty respectable. I used most of them in my Modern Mystery Quilt. Let the inspiration strike!

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I set to work with the  December 2012 palette of Burgundy, Wine, Evergreen and Amber.  The Candy Dish was the brainchild of a stack of fat quarters sitting on the kitchen table, a bag of hard candies, and random comment of “let the candy season commence.”

LIGHTBULB!

Candy Dishes!

Hop on over here to see how you too can make a lovely customized set of Candy Dishes (or Bowls, or Buckets) for yourself!

Happy Stitching!!

Stacey

The Wedding Quilt

A coworker of mine has been gearing up for her best friends wedding all year. She has been all over the place planning parties, a stagette, showers, and helping with the details of the big day. They have been friends since high school, and she wanted to do something really special as a wedding present. She asked me come up with a quilt that would capture her friends crazy and quirky nature, while still complimenting her wedding colors.

I suggested a free-pieced low volume log cabin block inspired by a WIP posted by Anna at Play-Crafts.  She took one look and loved it, so we went out and picked up a stack of low Volume fabrics. Some Batiks, a lot of Comma, and some random pieces, with some colorful pops and a gorgeous Disco Dots backing in teal, and we had a quilt!

The Wedding Quilt for KT

The Wedding Quilt for KT

The blocks are 12″ finished. I cut a ton of random strips from the low volume fabrics, and built them up log cabin style randomly around the center piece. KT sent me her favorite pictures from the last year, and I used Iron on photo transfer paper to attach them to the blocks. Next time I may print right onto the fabric, as the transfers have a very bad habit of melting near heat, and they did not want to secure properly.

Lovely engagement photo!

Lovely engagement photo!

I quilted the entire thing in straight lines in a windmill pattern, so the lines are all in different directions, skipping around the photos.  The blocks were sewn together randomly so there is technically no up or down to the quilt. This way no matter how the quilt is laying she can see the pictures.

Thw quilting

The quilting

I double stitched the binding. I like the look of 2″ binding, it turns over snugly and has a low profile around the edges. The black really sets off the quilt.  I have a really easy technique for finishing the binding, I am working on a tutorial.

Binding

Binding

I had so much fun making this quilt. All free pieced, no borders, no rules! A very freeing experience, and I think is one quilt option that will make another appearance in the near future!

Happy Stitching!

Stacey

August 108